| The
finest silk fibers,
and most of what we
use today are produced
by "cultivated" silkworms
grown in a controlled
environment. The worms
are fed a diet of mulberry
leaves and increase
their body size 10,000
times in their short
life span. Once the
cocoon is spun and before
the worm hatches through
the silk into a moth,
the cocoon is soaked
in hot water then unraveled,
producing filaments
that can be up to a
mile long in size.
The
raw silk is then processed
to remove the sericin
- the natural "gum"
that protects the fibers
and causes them to stick
to each other as the
cocoon was spun.
Silk
is a protein fiber,
similar to wool or to
human hair. It is only
natural for silks to
have some irregularities
-- sometimes called
"slubs". This is the
nature of the 100% silk
fabric.
Silk
that has been processed
can be woven or knit
into a variety of fabrics.
Silk will shrink, so
if you are using it
to construct clothing,
be sure to preshrink
it. Silk often has a
wonderful feel and an
almost iridescent sheen
that makes us think
of luxury.
The
weight of silk is shown
as "mm" (pronounced
"mommy") and varies
within the different
types of silk. The following
list of various types
of silk may help you
understand some of the
qualities of each.
Chiffon
Often
the lightest weight
and most diaphanous
of the silks, Chiffon
is also the most see-through.
It creates the "billows"
of fabric that add dimension
to garments, but generally
requires some kind of
lining or backing unless
it's used for scarves.
China
Silk
China
silk is a lightweight,
sheer, plain-weave fabric.
It's sometimes referred
to as habutai, or habotai,
or pongee. It is one
of the less expensive
and more commonly available
silk fabrics.
Habotai
can often be found as
light as 5 mm and as
heavy as 12 mm. Most
of our scarves are made
of 8 mm Habotai. When
purchasing for clothing
construction, or purchasing
ready-made clothing,
this fabric is not recommended
for fitted garment styles
because the seams will
tear from the stress.
Crepe
de Chine
Crepe
de chine is a lightweight
fabric made by twisting
some fibers clockwise
and others counterclockwise.
The twisted fibers are
then woven in a plain-weave
fabric, but it's the
twisted fibers, not
the weave, that gives
crepe its distinctive
"pebbly" look and feel
rather than a shiny
luster. Both sides of
the fabric look and
feel the same.
When
purchasing ready-made
clothing or considering
this fabric for sewing,
avoid using it in tailored
styles because the fabric
is too soft to hold
a structured shape.
Crepe de chine doesn't
ravel as easily as other
silk fabrics, but it
will tear if not handled
gently.
Charmeuse
Generally, when we think
of traditional silk,
this is the fabric we
have in mind. The back
of the fabric is a flattened
crepe while the front
is a shimmery satin
weave.
Charmeuse
has even more drape
than crepe de chine
and works well for scarves,
blouses and lingerie.
Occasionally we will
offer scarves in Charmeuse.
Jacquard
Jacquard silks offer
various woven patterns,
using matte and reflective
threads to create a
light and dark effect
in the fabric. This
effect is similar to
brocade, although the
Jacquard is originally
created in one color.
These are generally
heavier weight and more
densely woven. Patterns
are often florals and
paisleys. This added
dimension (pattern)
makes this fabric perfect
for abstract for free-form
dyeing.
Douppioni
Douppioni is a plain-weave
fabric with slubbed
ribs. It has a stiff,
taffeta-like hand and
is usually dyed in bright
colors. Douppioni is
often made into elegant
evening gowns or semi-fitted
vests and garments.
But the style shouldnŐt
be too fitted, because
the fabric doesn't stand
up well to stress and
ravels easily.
It's
often recommended that
douppioni be dry cleaned
to resist abrasions.
However, as with most
silk, you can generally
wash douppioni with
positive results. Just
be sure to serge the
raw edges first to prevent
raveling. Washing will
make the fabric lose
some of its stiffness,
which may be your preference,
and the color will soften
as the excess dye is
washed away.
Noil
Silk noil is made from
the short fibers left
after combing and carding
so it doesn't shine
like many other silk
fabrics. Noil looks
similar to cotton, but
has the soft feel of
silk against the skin.
It also drapes better
than cotton and resists
wrinkling, so it's the
perfect choice when
traveling.
It can be machine washed
on gentle and dried
on low, but this will
cause a faded, "weathered"
look. If you prefer
bright colors, dry-clean
or hand wash.
Raw
Silk
Raw silk is any silk
yarn or fabric that
hasn't had the sericin
-- the natural "gum"
that protects the fiber
-- removed. The fabric
is stiff and dull and
the sericin tends to
attract dirt and odors.
Shantung
Once
made from hand-reeled
tussah silk (see
below), today's
shantung is usually
made with cultivated
silk warp yarns and
heavier douppioni filling
yarns. Depending on
the filling yarn, shantung
may be lustrous or dull.
It has a firm, semi-crisp
hand and tends to ravel,
so avoid close-fitting
styles.
Tussah
Tussah silk, often called
shantung, is made from
the cocoons of wild
tussah silk worms that
eat oak and juniper
leaves -- their "natural"
food. Because the worm
isn't grown in a controlled
environment, the moth
hatches from the cocoon
thus interrupting the
filament length and
making the fibers short
and coarse instead of
long and lustrous.
Tussah
silk is difficult to
dye and most often available
in its natural color,
a creamy tan. Because
of its irregular slubs
and the fact that it
ravels easily, tussah
should be dry-cleaned.
It is a good choice
for traveling as it
doesn't wrinkle easily.
|